In 2007, I was living under the sun-drenched skies of Cyprus, working poolside with my laptop on my knees. While I sat in my swimwear in the Mediterranean heat, my digital avatar showed up in meetings back in the Netherlands—well-dressed, serious, presentable. I was giving talks in a suit and tie from the edge of a swimming pool.
That contrast triggered a jarring realization: if my virtual self could function convincingly in a digital world, then who—or what—was I in this so-called real one? Could it be that I, too, was moving inside a kind of projected reality? That single question lit the fuse on a journey that would change my life.
From that point on, I immersed myself in the foundations of consciousness, matter and direction. The idea that we might be avatars inside a field we ourselves are shaping became the basis of a new vision: the Noöhedron.
Years of research, study and inner experimentation followed. Then, in 2021, everything shifted. A terminal diagnosis forced me into the deepest experiment yet. I stopped seeing my body as a machine, and began to experience it as a container of tension—a projector of coherence. What happened next wasn’t a miracle. It was spontaneous remission. Not through belief, not through medicine, but through alignment. And that proved something essential: the field wasn’t just a theory. It was real. It worked—if you learned how to tune into it.
Out of that realization, I developed the Noöhedron: a mathematically precise, differential model in which consciousness is primary, and space, time, matter and life emerge from coherent field projections. My work brings together physics, biology, psychology and philosophy into a unified framework. Not as a synthesis of existing systems, but as a restart from the source.
On this site, I share my insights, applications, experiments and reflections in the form of blogs, essays, articles and excerpts from my books, including Evolution in Renaissance and The Noöhedron.
“The world around you is a creation of your own self.” — Paul Hager
Paul HAGER (2024)